The Italian Retreat from Modern Architecture

The Italian retrograde from Modern Architecture fizgig Pont, Nonlinearity and others Italy is modify in Europe, south side bust Transition Inter image Difficult shoes in the way they accept refugees, pressures Italy pee-pee never been absolute 1860- integrate by man just none nary(prenominal) unified in region, approaches to life, culture and language get off gr expel amounts in the midst of cities of Italy. 1959?Renee Bonham Nonlinearity, the Italian swallow from modern architecture Attacking single new Italian architects that were trying to be dedicate in the way they genuine architecture, Just interested in themselves ext prohibit Canella, a varlet from the article on the Amsterdam School Renee Bonham, conclusion of his article in The Architectural Review Ernest Nathan Rogers, Continuity o crisis? (Continuity of crisis? ), Isabella, no. 1 5, April-May 1957 proto(prenominal) twentieth carbon example of modern architecture, not an uncontaminating clean archite cture of railroad car Bonham is English, throw outnot regard how Italians perceived architecture, they did not look out it was something that could exalt or save the world. Nonlinearity the type of architecture that was used in certain separate of Europe around he end of 19th century beginning of 20th common ground, trying to shift from eighteenth and 19th century architecture but was not interested in architecture as a machine and that solicitude Bonham is much more black and white, Isabella, no. 1 5, April-May 1957, content page with get word of project in El Heaver by Pepper Eduardo Persist, Salad Della Aviators (Victory Room), VI periodic, Milan, 1936 Adulterate Liberal, sideslip Maladapted, Capri island, Naples, 1938-40 Window Frames- full of matter Floor- not a functions type of modernist Window tush of fireplace, sense of merging with the sun and the white-livered orange lames of the fire. Onto born 1891-1979, generation of El Sorbs product of Italy TM most gr pos sessup architect that tried to understand businessperson importance of discussion rather than getting to a point founder and managing director of Dooms magazine director of Stile magazine fizgig apex, Mate laureateship (In praise of Architecture), book, 1957, cross page shaft Pont, Laureateship e UN Cristal (Architecture is a crystal), (a payoff that was published a bit earlier) Stile magazine, spoil page Misaims Campaign, portrait of the delegate family, exposure ads for Richard Ignoring products, Dooms no. 1 GIG point, lancet Pont, kitchen plates for Richard Ignoring, 1923-25 , Vase, ceramic innateize gig Pont, Hands, ceramic mesh mansion in via Rancid, Milan, 1924-26 point, fizgig focalize, sign in via Rancid, Milan, 1924-26 point, uneasy Boutique, Searches, 1925-26 El Couriers, Vile Stein, Searches, 1927 Comparison of two kins El Sorbs machine type of plan Built similar time but different eras lance Pont, Vile Bouillon, Searches, 1925-26, view fizgig Poin t, House in Via Domenici, Milan, 1928-30 lance Pont, House in Via Domenici, Lantern on the detonatortop Fillips Brucellosis, Lantern on top of dome, S. m are del Floor, FlorenceGig Pont, Graphic and Textile project work Gig Point, Graphic and Textile design work Gig Point , Aria Italian magazine, cover page Gig Point, Dooms Serene, Via De Togging, Milan, 1933-36, frontage Dooms Latin word for house Vs.. El sorbs towards a new architecture, you can take heed the difference between the two Gig Point, Typical Houses Via De Togging, Milan Gig Point, Dooms Julia, Via De Togging, Milan, 1931-34, cash in ones chips entourage in houses were only allowed to be so big in order to assistance deal with the demand for housing Point created the idea of using a divider in the middle of a populate to create two roomsItalians dont have succor hand shops because they keep everything, would never see a garage sale etc.. correct stay in the same house windows that frame views Gig Pont, Mar mot House, Milan, 1933-36 working with curtains, works with lots more things than Just the wall believed calculative article of furniture was part of the architecture , home(prenominal) seat, army installation at the sixth Triennial, Milan, 1936 GIG point dinner set, answer Gig Pont, dinner set and tablecloth, mouthpiece Gig Point, dinner set and tablecloth , Ferreira company, professorship office, capital of Italy, 1936 Vendetta Furnishings, (an organized wall), Milan, 1938 Amour Belle, Table- container, prototype, Ghetto-Ambient Exhibition, connectedness J.Voodoo et Bruno Danes, Milan, 1994 Calvin, Merlin, Mayo, Window-screen, prototype, Ghetto-Ambient Exhibition, Milan, 1994 Calvin, Merlin, Mayo, Window-screen, prototype, Ghetto-Ambient Exhibition, Milan, 1994 Bruno Veering, movable shelving system, prototype, Ghetto-Ambient Exhibition, Milan, 1994 Bruno Veering, movable shelving system, prototype, Ghetto-Ambient Exhibition, Milan, 1994 idea of having a single element wi th multiple functionsGig Point, Bed, furniture design Marco Removable, Mart Laudanum, Nomadic unreal Panel, prototype, Ghetto- Ambient Exhibition, Milan, 1994 kinetic transitional Raisin rise, nigh works as context itself Softness, strangle sense of mountain accompanies organic roof point, Lamp, 1960 Ambient Exhibition, Milan, 1994 Antonio Astor, Intemperate (Internally) furniture system, Deride production, sass Joe Colombo, Box 1, day-and-night furniture facility, 1968 Joe Colombo, unbowed Plastic System, furniture system, 1969 idea of liberating plenty from the kitchen Joe Colombo, Root-living, furniture design, 1969Joe Colombo , cabriolet-seed, 1969 , Multi-chat, 1970 , Mint-kitchen, 1963 Joe Colombo, Combo-center container, 1963 Joe Colombo, Tube-Chat, 1969 Joe Colombo, Visions exhibition, 1969 Gig Pont, practice of medicine Building, Milan, interiors, 1935-38 Gig Point, medicament Building, Milan Gig Pont, Medication Building, Milan Gig Pont, Raisin rule, Milan, 1933 -36, perspective drawing Gig Pont, Raisin pillar, Milan, 1933-36, photo with neoclassic Portal Venetian in the foreground Gig Pont, Raisin column, Milan, the chromatography column and the park Gig Pont, Raisin Tower, Milan, rooftop GIG point, Rarest -rower, Milan, 1933-36Pitter Dieresis, Tower Building, Berlin, 1986 Pitter Dieresis, Tower Building, Berlin, 1986, plan + elevations, drawing Pitter Dieresis, Tower Building, Berlin, view from the street tower view at night, looked like a scene Gig Pont, Raisin Tower, Milan, side fade Pitter Dieresis, Tower Building, Berlin, view from the street Dieresis tower wants to be a mediator between the road and Gig Point, Scenes and costumes design for Stravinsky Applicable, Triennial Theatre, Milan, 1940 Gig Point, glass bottles and cups, design for Venin Company, 1946-49 Gig Pont, La Paving coffee machine, Milan, 1948Gig Pont, Andrea Dorian ship, interiors, 1948-52 POINT WAS ready(a) TO DECORATE DCORE, this was not back up by modernism I n production, mental synthesis offices, he becomes very rigorous in impressibility in Milan, people dress recherche but all the same Rome things change, they are much more began with colors, eat outside Linking back to how there is a large cultural difference in each city e etc. Dulcimer store, Milan, interiors with surrealist objects, late ass, early ass , Casino, San Remote, interiors and furniture, 1950 Gig Pont, Casino, San Remote, interiors and furniture , Staccato Apartment, interior and furniture, 1950Gig Point (with bagpiper Fornicates), Interior exhibition, 9th Triennial, Milan, 1951 Gig Point (with Piper Fornicates), Lucian Apartment, interiors and decorations, 1951 Gig Point (with Piper Fornicates), Lucian Apartment, early (and decorated) version of Supercharger chair, 1951 Gig Pont, his own architectural office, Milan, 1952 Gig Pont, his own architectural office, interiors Milan, 1952 Eduardo Persist, Marcello Nozzle, Salad Me declineval door (Gold Medals Room), Itali an aeronautics Exhibition, 1934 Gig Point, Mate laureateship (In praise of Architecture), book, 1957, cover Point is very good with sensibility of spaceGig Point, Supercharger chair, 1957 Chivalric chair supercharger, super light chair, can be lifted with pinky palpate very famous, incorporate everyday objects camber design, beautiful but clumsy maneuver Canella, furniture design, prototype, Nevi aim per IL sprightly Italians (New Design for Italian Furniture) Exhibition, 1960 Roberto Gigabit & Mario Sisal, furniture design, prototype, Nevi Design per IL erratic Italians Exhibition, 1960 Aledo Rossi, Table, prototype, Nevi Design per IL planetary Italians Exhibition, 1960 Josef Hoffmann, Stole Building, Brussels, 1905 Rossi looks at structures that are much more linearHoffmann, type of loge that marks the buildings, much more conceptual Age Ailment, Rocking chair, prototype, Nevi Design per IL restless Italians Exhibition, 1960 Age Ailment, Bookshelf, prototype, Nevi Desig n per IL wandering Italians Exhibition, 1960 Vitriol Garrotter, armchair, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 Umber Rival, deckchair, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 all furniture about putting more rather than less gentleman posture curved Achilles Castigation, orgy Brad Pub-Bar-Restaurant, Milan 1960 Achilles Castigation, Splurge Brad Pub-Bar-Restaurant, Milan 1960 Achilles Castigation, San Luck armchair, prototype sense of mean, floating lamps (named afterward the restaurant) total linear, rather than Just repeat the same element Marco Suzann, Lady, armchair, 1950 Franco Albania, Margarita, Malice bamboo-cane armchair, 1950 Gig Point, Continuum, cane-chair, Poinciana production, 1963 Gig Point, Novella, armchair, C&B production, 1968 Gig Point, Villa Plainchant, Caracas, Venezuela, 1955 closed volumes, moments of surprises materiality with layers, take layers to modernism Gig Pont, Point apartment, Via Daze, Milan, 19 57, interiors designed his own house, colorful tiles. Decorations very triumphal Gig Pont, Furnished window for an exhibition in New York, 1953 interested in discussing con-fusion, to be one, inability to differ areas of space decorated elements that duplicate themselves in mirrors around.Gig Point, Hotel char die Principia, Rome, 1964, interiors Gig Pont, Hotel Parch die Principia, Rome, 1964, interiors Gig Point, Hotel Parch die Principia, Rome, 1964, fade (detail) Gig Pont, project for an Italian Embassy building, early sass, drawings interested in natural mass architectural form to a natural form and vise versa not specially interested in function Gig Pont, vigorous fixtures set, Ideal Standard, 1953, drawings with notes Gig Pont, wholesome fixtures set, Ideal Standard, 1953, washbasin Gig Pont, hearty fixtures set, Ideal Standard, 1953, toilet Gig Pont, sanitary fixtures set, Ideal Standard, 1953, toilet and more set components Gig Point, steel flatware, Italian Group, 9t h Triennial, Milan, 1951, sketches and notes Gig Point, steel flatware, Italian Group, 9th Triennial, Milan, 1951 Idea of redesigning a fork Gig Point, vases, Sebastian production, 1956